Photographer Sanja Knežević’s series about life on the margins of Manila, where modernisation rises through charcoal, ash and smoke.
Documentary
You Can See Me, But I Don’t Exist
Alan Gignoux’s project exploring how the asylum process leaves people visible yet unseen, eroding identity through years of uncertainty and exclusion.
Corner
Yan Jiacheng reveals the margins of the urban environment, and the quiet stories embedded within places that most people pass by without seeing.
Dream Car
Michael Wriston’s visual meditation on cars as memory, myth, and the machinery of the American dream.
Road to Damascus
Michael Wriston captures America’s backroad gospel in bold, sun-bleached signs—part sermon, part spectacle—shouting belief into the roar of passing trucks.
The Arm of Trani
Juan Galán documents life on Trani’s breakwater — a social crossroads where locals of all ages gather daily to swim, fish, talk, and connect by the sea.
Railwaymen
Stephen Lovell-Davis captured, from within, the quiet resilience and brotherhood of Euston’s railwaymen in the early ’80s.
Paul’s Barber Shop
Photographer Andy Holloway captures a day in Paul’s Barber Shop, blending images and recorded conversations to document a Liverpool institution in a changing neighbourhood.
My Ukranian Family
Spanning a century of upheaval, Christian Mushenko’s project traces a photographer’s return to his ancestral roots — revealing the fragile, beautiful truth of belonging.
Once Upon a Time in Puglia
Juan Galán’s extraordinary images reveal a timeless Puglia, celebrating its culture, faith, and people.