Baz R Bule photographed river taxis on the busiest river in Bangladesh and realised that no one other than you is bothered that you might die.
The first thing you realise when you’re on a river taxi on the Buriganga is that no one other than you is bothered that you might die. Crossing the busiest river in Bangladesh, in a tiny paddle boat, with passing oil tankers is just an everyday life thing for the people of Dhaka.
It’s this everyday life thing that I love so much about street photography. And the fixed lens on my X100f means I can’t help but get closer to it. It usually means I end up talking to people. And that often leads to me doing the things that they do every day.
Baz R Bule is an Art Director by day and a photographer for the rest of the time. He shoots with a fixed lens and for him everything is about getting close enough.
Juan Galán documents life on Trani’s breakwater — a social crossroads where locals of all ages gather daily to swim, fish, talk, and connect by the sea.
Stephen Lovell-Davis captured, from within, the quiet resilience and brotherhood of Euston’s railwaymen in the early ’80s.
Rober Tomás uses street photography as a tool that fuses self-discovery and emotion into personal expression.
Photographer Andy Holloway captures a day in Paul’s Barber Shop, blending images and recorded conversations to document a Liverpool institution in a changing neighbourhood.
